Wall Street is more than just a crosstown street at the southern tip of Manhattan. The term itself has become synonymous with the entire American financial market. But its origins go back to the northern border wall of 17th century New Amsterdam. Built by enslaved people, the wall was meant to keep the English from invading the Dutch colony. But it also kept out the land’s first people, the Lenapehoking.
Of course, to the colonizers, the land was theirs, purchased from the tribe in 1626 by the Dutch West India Company. The land was traded for (in today’s exchange) about $1,000 worth of goods, including tools, guns, cloths, and wampum, the shell beads used as currency in fur trading between Native Americans and early settlers. Peter Minuit brokered the deal.
In Mary Kathryn Nagle’s play Manahatta, now running at The Public Theater through December 23, the playwright draws a direct line from that first trade of land ownership on Wall Street to the housing market collapse in 2008. Nagle deftly weaves past and present to tell the story of the 17th-century Lenape-Dutch trade and a modern Lenape family in Oklahoma, whose home is under threat of bank repossession. It’s also a tale of two siblings: of one sister who stayed in Oklahoma and works to keep the Lenape language alive and the other sister who left to work for a financial firm on Wall Street.
Rainbow Dickerson, Sheila Tousey, Jeffrey King, David Kelly, and Joe Tapper in Manahatta Joan Marcus
Nagle is a citizen of the Cherokee Nation and originally from Oklahoma (where most tribes were forcibly relocated during the Indian Removals). She now makes her home in Washington, D.C. and, like many playwrights, Nagle has a day job. She’s a lawyer, specializing in…
