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Lenni Lenape

Schumer on 6-bill minibus: Proud to keep government open ‘without cuts or poison pill riders’

Senate Majority Leader Chuck Schumer (D-N.Y.) hailed a package of six government funding bills on Sunday as “good news” that prevents a government shutdown “without cuts or poison pill riders.”

Schumer and congressional leaders unveiled the long-awaited package Sunday afternoon, with hopes to get the set passed before a March 8 partial government shutdown deadline. Congress made an extension to the previous week’s funding deadline in order to introduce and pass the package.

“It’s good news that Congress has finally reached a bipartisan agreement on the first six government funding bills that will keep the government open,” Schumer said in a statement. “We are proud to be keeping the government open without cuts or poison pill riders.”

The six spending bills focus on funding the departments of Agriculture, Interior, Transportation, Housing and Urban Development, Veterans Affairs, Justice, Commerce and Energy through this fall. In total, the bills will allocate about $450 billion.

Both Democrats and Republicans responded to the package by taking victory laps on certain inclusions. GOP members touted cuts to the Environmental Protection Agency; the Bureau of Alcohol, Tobacco, Firearms and Explosives; and the Federal Bureau of Investigation in the funding package, while Democrats hailed protections for certain welfare programs.

A number of conservative Republicans have urged Speaker Mike Johnson (R-La.) to throw out the negotiations and instead pursue a one-year funding measure with universal budget cuts.

The funding bills are expected to be introduced and voted on this week in the House, where they will likely need bipartisan support and are likely to pass the Senate.

“The clock is now ticking until government funding runs out this Friday,” Schumer said. “Between now and the end of the week, the House must quickly pass and send the Senate this bipartisan package.”

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Lenni Lenape

Lehigh University Returns 90+ Native American Artifacts to Delaware Nation

Lehigh University has partnered with the Delaware Nation to repatriate over 90 Native American artifacts, discovered during a Pennsylvania Department of Transportation (PennDOT) archeological survey on university-owned land. This historic collaboration is underscored by a Memorandum of Understanding signed in October 2023, aiming to honor the Lenape people’s heritage and culture.

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Discovery and Decision

The artifacts, including pottery, tools, and a 3,000-year-old flint knifepoint, were unearthed on nearly 100 acres of land, half of which belongs to Lehigh University. The discovery was facilitated by an archeological survey initiated by PennDOT, revealing these significant precontact items. Erin Kintzer, Lehigh’s senior director of real estate services, underscored the university’s commitment to honoring these artifacts by opting for their return to the Delaware Nation rather than keeping them or donating them to a distant museum.

A Model of Respect and Protection

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The decision to repatriate the artifacts to Delaware Nation serves as a pioneering model for acknowledging and protecting Native American sites and heritage in eastern Pennsylvania and beyond. The artifacts will be featured in Delaware Nation’s new museum in Anadarko, Oklahoma, allowing tribal citizens, many of whom reside in Oklahoma, to access and appreciate their cultural heritage. This gesture of repatriation highlights the importance of respecting and safeguarding Native American history and the ongoing relationship between tribal nations and their ancestral lands.

Implications and Reflections

This collaboration between Lehigh University and the Delaware Nation, facilitated by the recent MOU, marks a significant step towards recognizing and rectifying historical injustices against Native American communities. By returning the artifacts to their rightful owners, Lehigh University sets a precedent for how institutions can work with Native American tribes to honor their history and culture. This act of repatriation not only respects the Lenape people’s heritage but also fosters a deeper connection between the university and the Delaware Nation, potentially…

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Lenni Lenape

Final individual wrestler rankings of the 2023-24 season: The look before Atlantic City

final individual wrestler rankings of the 2023-24 season: the look before atlantic city

Matt Henrich of Southern, left, wrestles Nicholas Campagna of Christian Brothers in the 157-pound region 7 final at Lenape High School, Saturday, Feb. 24, 2024.

We’ve reached the best week of the N.J. wrestling season – the three-day stretch in Atlantic City that finishes the year.

final individual wrestler rankings of the 2023-24 season: the look before atlantic city

Jayden James of Delbarton (top) pinned Giovanni Scafidi of Howell to win the 138-pound at the NJSIAA Region 5 wrestling tournament, Saturday, Feb. 24, 2024 in Somerset, N.J.

A total of 14 boys state champions will be crowned on Saturday night at Boardwalk Hall. We’re still waiting for the tournament to be seeded later today and the eight regions figure to have shuffled the brackets from how they would’ve looked following District Saturday.

final individual wrestler rankings of the 2023-24 season: the look before atlantic city

Anthony Knox of St. John Vianney, left, wrestles Robert Duffy of Christian Brothers in the 120-pound region 7 final at Lenape High School, Saturday, Feb. 24, 2024.

Simply put, last week was make or break for the Garden State’s best grapplers. Which wrestlers made it count?

Find out below in our final NJ.com individual wrestler rankings release of the winter.

106 pounds

NOTES: Segal jumps Mason after beating him in the Region 7 semifinals. Esposito jumps Tounkara after beating him in the Region 2 final. Esposito enters and jumps Sipper after beating him in the Region 3 final.

final individual wrestler rankings of the 2023-24 season: the look before atlantic city

Killian Coluccio of Christian Brothers, left, wrestles Jordan Segal…

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Lenni Lenape

Local Event: Lenape Nation: Past, Present, and Future

This post was contributed by a community member. The views expressed here are the author’s own.

Temple University Professor Adam DePaul, Doctoral Candidate in Cultural and Mythical Studies, will share past and present insights into the significance of the Lenape Nation during this free program. DePaul is focused on raising awareness of Lenape culture and correcting a lot of the misinformation that is often taught about Lenape history.” DePaul has stated, “I have always had a personal passion to tell stories. I thoroughly enjoyed this role because it embraces both my academic life and cultural life.”  Pre-registration requested at:  friendsofdoylestownlibrary@gmail.com

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Lenni Lenape

Native American tribes that lived in West Virginia

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Renaming Trotter Hall: A Swarthmore Building’s Namesake and its Implications

Archives Select Week February 19, 2024–February 25, 2024  (16) February 12, 2024–February 18, 2024  (17) February 5, 2024–February 11, 2024  (14) January 29, 2024–February 4, 2024  (1) December 11, 2023–December 17, 2023  (6) December 4, 2023–December 10, 2023  (15) November 27, 2023–December 3, 2023  (11) November 13, 2023–November 19, 2023  (16) November 6, 2023–November 12, 2023  (13) October 30, 2023–November 5, 2023  (15) October 23, 2023–October 29, 2023  (14) October 9, 2023–October 15, 2023  (15) October 2, 2023–October 8, 2023  (11) September 25, 2023–October 1, 2023  (15) September 18, 2023–September 24, 2023  (11) September 4, 2023–September 10, 2023  (1) April 24, 2023–April 30, 2023  (1) April 17, 2023–April 23, 2023  (15) April 10, 2023–April 16, 2023  (13) April 3, 2023–April 9, 2023  (15) March 27, 2023–April 2, 2023  (12) March 20, 2023–March 26, 2023  (13) March 13, 2023–March 19, 2023  (6) February 27, 2023–March 5, 2023  (11) February 20, 2023–February 26, 2023  (12) February 13, 2023–February 19, 2023  (15) February 6, 2023–February 12, 2023  (11) January 30, 2023–February 5, 2023  (15) December 5, 2022–December 11, 2022  (1) November 28, 2022–December 4, 2022  (15) November 14, 2022–November 20, 2022  (15) November 7, 2022–November 13, 2022  (12) October 31, 2022–November 6, 2022  (14) October 24, 2022–October 30, 2022  (12) October 17, 2022–October 23, 2022  (14) October 3, 2022–October 9, 2022  (12) September 26, 2022–October 2, 2022  (15) September 19, 2022–September 25, 2022  (13) September 12, 2022–September 18, 2022  (14) April 25, 2022–May 1, 2022  (17) April 18, 2022–April 24, 2022  (11) April 11, 2022–April 17, 2022  (13) April 4, 2022–April 10, 2022  (13) March 28, 2022–April 3, 2022  (19) March 21, 2022–March 27, 2022  (11) March 14, 2022–March 20, 2022  (12) February 28, 2022–March 6, 2022  (14) February 21, 2022–February 27, 2022  (14) February 14, 2022–February 20, 2022  (16) February 7, 2022–February…

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‘Manahatta’ Review: Brutal American origin story pulls no punches in Berkeley

In recent years many theater companies have made a point of introducing performances with land acknowledgements, thanking the Native peoples whose ancestral lands the theater occupies — lands that were generally taken from them by force.

In the case of “Manahatta” at Berkeley’s Aurora Theatre Company, the whole play serves as a land acknowledgement of sorts.

Mary Kathryn Nagle’s drama jumps back and forth between Wall Street in the early 2000s and the same land in the 1600s when it was known as Manahatta, the home of the Lenape people.

“Manahatta” premiered at the Oregon Shakespeare Festival in 2018 and played New York’s Public Theater (in Manahatta itself) last November. Also a lawyer and citizen of the Cherokee Nation, Nagle had the West Coast premiere of her play “Sovereignty” at Marin Theatre Company in 2019.

The play follows Jane Snake, a young Lenape woman who grew up in Oklahoma after many generations of displacement, as she rises through the ranks at a major Wall Street investment bank in the years leading up to the 2008 financial crisis.

As played by Livia Gomes Demarchi, Jane radiates confident professionalism mixed with workaholic deference to the unreasonable expectations heaped on her by her bosses, Max Forman-Mullin as brusque, demanding young department head Joe and Anthony Fusco as smoothly callous CEO Dick. They appreciate Jane in direct proportion to how much money she makes them, and if she falls short they have no use for her.

Back in Oklahoma, Jane’s mother is struggling financially and falling prey to the same kind of predatory lending that Jane’s company is profiting from. Portrayed with placid stoicism by Linda Amayo-Hassan, mother Bobbie is too proud to ask for advice or even let her family know what’s going on. As older sister Debra, Oogie Push is resentful of…

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Review: Aurora Theatre’s ‘Manahatta’ powerfully depicts brutalities of colonization, capitalism 

“Manahatta,” at Aurora Theatre Co. in Berkeley, takes on a big subject: the violent subjugation of the Lenape people in what is now Manhattan by Dutch settlers in the 17th century and the ensuing development, and fall, of Wall Street.

Livia Gomes Demarchi and Anthony Fusco play dual roles in Aurora Theatre Co.’s production of Mary Kathryn Nagle’s “Manahatta.” (Courtesy Kevin Berne/Aurora Theatre Co.)

Mary Kathryn Nagle’s powerful one-act play focuses on a 21st century family of Lenape descendants living in Oklahoma. While daughter Jane Snake, a graduate of Stanford and MIT, has landed a job with Lehman Brothers on Wall Street, the family back home is about to lose their home to foreclosure.

The production moves between the contemporary family drama as Wall Street collapses in 2008, and 17th century Manahatta, with the actors appearing in both time frames. 

The leader of the Dutch faction (Anthony Fusco) tricks Lenape leader (Linda Amayo-Hassan) into virtually giving away Manahatta. Fusco also portrays Jane’s vicious Wall Street boss and Amayo-Hassan takes the role of Jane’s mother with deft humor.

Livia Gomes Demarchi as Jane, the daughter working on Wall Street as it begins to fail  
(a comparison with the 17th century tulip bubble in Holland when speculation drove flower bulbs’ prices to extremes can be made), carries the story line forward powerfully. 

Jane’s modern friend Luke is excellently portrayed by Ixtlán (an actor with a Native Plains Nations and Mexican Indigenous background). He also plays a pivotal role in the 17th century, as the lover of Jane’s alter ego, and a soulful go-between, interpreting for the Dutch traders and shadowing their cruelties.

Elsewhere in the cast, Max Forman-Mullin is heartless as a trader during both time periods, Victor Talmadge plays a kindlier banker and clergyman.

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