In her solo play, “Where We Belong,” Madeline Sayet shares her story with such warmth, passion, honesty and humor that one feels honored to have spent an evening in her presence. And what a tale she has to tell. A Mohegan theater-maker, Sayet moved to England in 2015 to pursue a doctorate degree in Shakespeare, a journey that led her to question not only her identity and place in the world, but also her relationship to the 400-year-old playwright in light of his country’s colonial legacy.
Sayet’s autobiographical account is both deeply moving and thought-provoking — an essential story to be told as the United States grapples with the horrors of its own past. The Goodman Theatre presents the Woolly Mammoth Theatre Company production of the play, in association with the Folger Shakespeare Library, as part of a national tour.
With breathtakingly beautiful language — though in English, rather than the language that was taken from the Mohegans — Sayet recalls the rich history of her ancestors, conveying the strong connections to the community and the land that continue to be cherished in their culture. Of course, there is also plenty of painful history that is seldom taught to students in the U.S. — the brutal war tactics of the colonial settlers, theft of traditional lands and forced assimilation of Native children in residential schools. And yet, even though “last” is “the only word people recognize associated with Mohegan,” Sayet reminds the audience that “we are still here.”
In the United Kingdom, Sayet feels alone as the only Mohegan and is dismayed by the casual racism of her fellow academics. On one especially lonely day, she makes an impromptu visit to Southwark Cathedral on London’s South Bank to escape a sudden rain shower. Walking through the garden after the clouds have cleared, she…