Another Okita’s tale of a small community populated by gently eccentric characters
Shuichi Okita, with a very personal style, delicate but assertive at the same time, has been able to make himself known and appreciated in the circuits of festivals and in less mainstream circles with films that are difficult to label, often defined as “dramedy” that is a mixture of drama and comedy. Like in “The Woodsman and The Rain”, “The Chef of South Polar” and “Mori: The Artist’s Habitat”, the backdrop of “The Mohican Comes Home” is also a small community on an imaginary island in the Soto Inland Sea, off the coast of Hiroshima, where Okita places one of his typical characters, always dazed and looking out of place.
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This time it is Eichiki (Ryuhei Matsuda), the titular “Mohican” (because of his haircut), who 7 years earlier had left his hometown for Tokyo, in search of work and fame in a death metal band. Eichiki hasn’t had much luck in Tokyo and, to make things more complicated, his girlfriend Yuka (Atsuko Maeda) is now pregnant. Therefore, he decides it’s time to make a quick visit to the parents and announce the news. A confusing welcome awaits him at home. His mother, after his 7-year absence, seems only surprised because Eichiki has not phoned before arriving, and his father Osamu (Akira Emoto) first calls him as a wimp slapping him and then organizes a big party with friends to celebrate the son and the grandson-to-be.
The party ends – in every sense – with Osamu being taken to the hospital due to an illness. Unfortunately, it is…


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